Since 1981, NJAHS has produced groundbreaking exhibitions both in its own Gallery as well as in numerous larger venues such as the Oakland Museum of California, the Smithsonian Institution and the Bishop Museum, among others.

Several of NJAHS’ exhibitions toured the country. NJAHS’ art exhibits and programs have explored topics such as the history of Japanese American women over the last century; photography and artwork from the World War II American concentration camps, Japanese Americans in popular music and the art work of Japanese and Korean women.

Past exhibitions include Transforming Kami: The Art of Origami; Chimu ni Sumiri: The Heart to Heart Journey of Okinawan Culture and Nikkei Reflections: Continuing the Connections with Cuban Nikkei.

NEW EXHIBITIONS

 

NOW & THEN: Life in Community Art with Richard Tokeshi, Leon Sun & Leland Wong

@ NJAHS Peace Gallery, SF Japantown

October 15 – December 31, 2024

An exhibition, which explores new works and old favorites of San Francisco Nihonmachi’s Community Artists.

Come explore!  Our time-honored artists of J-Town Richard Tokeshi, Leon Sun and Leland Yee herald their diverse cultural heritage, share their personal and spiritual journeys through life and celebrate a deep sense of community of now and then. Their works of art reflect on what’s happening in the streets and in the world.

FOR PROGRAMS

 

PAST EXHIBITIONS

 

American Bon Odori: Dancing in Joy and Remembrance

@ NJAHS Peace Gallery, SF Japantown

July 1 – September 30, 2024

This summer and early fall, come visit this new exhibit commemorating the 125th anniversary of the Buddhist Churches of America.

Curated by Dr. Wynn Kiyama and Jane Suiei Naito,  and hosted by the National Japanese American Historical Society (NJAHS)

Vibrant, colorful, and joyous—Obon dancing (Bon odori) is a kaleidoscope of movement and rhythm, deeply rooted in Japanese Buddhist traditions. In the 1930s, Reverend Yoshio Iwanaga first introduced Bon odori to Buddhist communities up and down the American West Coast. Since that time, Bon odori has remained an important Japanese American tradition, persisting through the difficult wartime “camp” years and the postwar years, and evolving into the 21st century. “American Bon Odori: Dancing in Joy and Remembrance,” celebrates the legacy of Rev. Yoshio Iwanaga, Obon dance teachers past and present, and all who have entered the dance circle.

Incorporating archival photos, rare pre-war and wartime film clips, and artifacts, a soundtrack of  familiar Japanese folk dance tunes “American Bon Odori” chronicles the history and significance of Obon dancing (“Bon odori”) in the continental United States, from the 1930s and the mass incarceration of Japanese Americans during World War II, through the postwar era and into the 21st century. Principal curator, Dr. Wynn Kiyama, has written extensively on Bon odori for Discover Nikkei, Wheel of Dharma, and Portland State University’s Digital Archive. Assistant curator, Jane Suiei Naito, is a member of the BCA Archive Committee and a Sogetsu Ikebana instructor.

For Programs:https://www.njahs.org/events/american-bon-odori-dancing-in-joy-remembrance/

Register for workshops here: https://forms.gle/tQBuM2QS2bp1wJxq7 and Group tours Click here .

Mark Shigenaga photo                                                                                      Isao Isago Tanaka photo, featuring Reiko Iwanaga, BCA 75th Commemorative Committee

 

November 2023. Ending June 30, 2024

The Go For Broke Spirit,  Photography Exhibit by Shane Sato
– 10th Year Anniversary of MIS Historic Learning Center

 

NJAHS is excited to announce the newest exhibit at the Military Intelligence Service Historic Learning Center: The Go For Broke Spirit – Presidio, by photographer Shane Sato. It explores the “untold” histories of the Nisei and Japanese American veterans of World War II and beyond.

The series of portraits features Nisei and Japanese American veterans, dressed in military uniforms similar to the ones they once donned during the war. The juxtaposition between their age and their vintage dress offers viewers a chance to “see into the past” and “equate these men, in the twilight of their lives, to the vets who fought in WWII” (Sato, The Go For Broke Spirit). Each portrait captures the feelings of these men, and what it might have been like fighting for a country that imprisoned their family and friends, the racism they endured for looking like the enemy, and their ultimate triumph.

Sato aims to inspire the audience through the triumphs of the Nisei, and also show the complex range of emotions these men must have felt fighting for this country . . . a country that did not fight for them.

The Go For Broke Spirit now also includes Japanese Americans who fought after WWII, in the Korean, Vietnam, and Gulf Wars. Simultaneously, it provides awareness to the Japanese American War Memorial Court in Little Tokyo, CA., and the MIS Historic Learning Center in the Presidio of San Francisco. Through his portrait series and gallery exhibitions, Sato hopes that everyone will remember the diversity of the American soldiers who served this country, as well as those Japanese Americans who gave their lives for this country’s freedom.

Sato’s accompanying photo book, which has two versions, are on sale in store and online, with a special discount when you purchase both. To order online, click the link below:

The Go For Broke Spirit: Portraits of Courage by Shane Sato

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2023 PAST EXHIBITIONS

Nihonmachi Street Fair T-Shirts, Designs by Leland Wong

@ NJAHS’ Post Street Peace Gallery, August 2023 to December 2023

Founded in 1973, the Nihonmachi Street Fair was hatched as an idea to provide leadership and mentorship opportunities for the youth of J-Town and to honor the cultural heritage that was, at the time, at risk of being displaced. Since then, the annual event has grown from a small four-booth affair to a two-day event that drew over 30,000 attendees in 2023.

What makes this street fair a uniquely San Francisco event is the broader cultural context participants can experience in addition to traditional Asian-Pacific influences. The Fair continues evolve to reflect the city it celebrates while staying true to its original mission: Engage and develop young Asian American leaders through the development of building community that celebrates our culture and diversity.

The Nihonmahi Street Fair is produced, staffed, and organized by volunteers. Each year we encourage the next generation to take part, providing an opportunity to not only give back but also take what they’ve learned working next to their mentor and applying it to their community.

The look of the Nihonmachi Street Fair from 1974 – 1998 was created by local community artist, Leland Wong. His concepts and vision for each poster design captured what was happening in our community and sometimes in the world. These beautifully silk-screened posters were also a community effort where many Street Fair volunteers assembled in Leland’s garage to help screen his work of art. The poster images were applied to the coveted Nihonmachi Street Fair T-shirts. For those of us who were lucky to receive one meant a badge of honor to be part of an important community celebration that continues today.

Open until the end of 2023, swing by and experience almost five decades of street fair history and memories.

 

 

Enemy Alien Files: Hidden Stories of WWII

ON TOUR

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Queer Reflections

Queer Reflections

June 2023 to August 5, 2023

NJAHS invites visitors to examine how we see and remember this Summer in the Peace Gallery, on Now until August 5, Queer Reflections asks about or memories, perceptions and what we see in ourselves an others.

Featuring Midori (美登里) and Tina Kashiwagi the exhibit examines perception and memory.

 

Two scrolls from Midori’s Evoco Project are artifacts of memory created in originally with an incident, the creation sometimes public often private where guests are asked to enjoy the moment and creation as live performance is transformed into scrolls that represent both the moment, and the memories of that moment.

 

 

Tina Kashiwagi’s search for mt. fuji renders abstract what is normally a cliched image of Japanese tourism culture, Mt. Fuji at once iconic of Japan, symbol of the culture of Japanese tourism and its shifting of the rest of Japanese culture.  In this video piece Kashiwagi uses the technology through which we now consume culture to render distorted one of the most recognizable landscapes on the planet, and asks us what are we actually looking at?

 

 

 

Threads of Remembrance

January 2023 to June 15, 2023

Threads of Remembrance: Asian American Quilts of Memory at Peace Gallery

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New Interactive Installation @ MIS Historic Learning Center -Feb 2023

REDRESS, RECKONING & RECOVERY

On the 35th anniversary of the Civil Liberties Act of 1988, a digital exhibit and interactive reflection booth at the MIS Historic Learning Center, Presidio of San Francisco

presented by the National Japanese American Historical Society funded by a grant from the National Writing Project- National Endowment for the Humanities -A More Perfect Union

NWP+AMPU Logos

An installation video Redress, Reckoning and Recovery

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Back to the Culture: A Silkscreen Print Exhibit by Artist Leon Sun

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The Enemy Alien Files: Hidden Stories of WWII

    

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We are LGBT Nikkei!

May 14, 2022  extended to September 15, 2022

Julia LaChica

(she/they) https://jlachica.art/
Instagram: jlachica.art
Email: julia@jlachica.art

 

Image is “A Glimmer” (2020)

Julia LaChica is a queer Japanese-Filipino American Visual Artist. Born in San Francisco and raised at North Ping Yuen Public Housing. She attended public school during “Operation Integrate”—-desegregation busing— taking her from Chinatown to Potrero Hill where she would spend time with classmates at the Sunnydale Public Housing Project.

For lack of a better word, Julia was a latchkey kid, deeply immersed in street culture and free to play without supervision.  Her work is deeply informed by her upbringing as a Nisei daughter and her life within BIPOC and LGBTQI communities of San Francisco and Oakland.

After several years as a working artist, Julia returned to school and received her BFA in Industrial Design from CCA, worked as a Product Designer for 20 years and is now dedicating all her time to Visual Arts. Julia works in Acrylic, Mixed Media Collage, Assemblage Art Printmaking and Digital Art.

Midori

(she/her) www.PlanetMidori.com

Image is “Kimono 2 What We Wear”
Bio: “ I am a multidisciplinary, social practice artist. Using material and techniques of manual labor and survival, I invite people who don’t think of themselves as artistic into the creative process as together we build environments in which viewers can process their own narratives. My work often explores the ephemeral nature of memory and place.”

Tina Kashiwagi

http://kashiwagitina.xyz/
Instagram: @ti_michiko
Email: tinamk73@gmail.com

Image is ‘myspaceisnotyourspace’

Tina Kashiwagi is an Asian American interdisciplinary artist and educator from San Jose, CA. Tina received their BFA in Art Education from SFState University in 2016. They have exhibited locally around the Bay Area and are a member of Oakland based art collective MACRO WAVES. Using experimental media, installation and performance, they are interested in reconnecting with their cultural roots as a way to decolonize and reclaim their queer identity. Tina is currently pursuing their MFA in Studio Art at Stanford University.

Mia Nakano

https://www.mianakano.com
www.visibilityproject.org
tintype photo lab
resilience archives
Instagram: @mia_nakano_oakland

Image is “Visibility Project”

Mia Nakano is a freelance media artist rooted in Oakland, CA. Her focus is on visual and multimedia artistic practices, archives, digitizing, front and backend design, and making tintypes.

Her work has been published in Colorlines, the Kathmandu Post, and Democracy Now!. Nakano has contributed to numerous organizations including the Smithsonian, Salon.com, and the de Young. She is the founding photo editor of Hyphen magazine and the LGBTQ section creator.

Nakano is a board member of Banteay Srei, whose work is dedicated to ending sexual exploitation of young Southeast Asian women in Oakland.

She is the IT Director of Asian Americans for Civil Rights and Equality (AACRE) network. Her work is shaped through her experiences as a proud 4th generation japanese american, queer woman of color, daughter of a single mother, and sister of a deaf adult. She is a self-taught artist, who advocates strategic and ethical use of media arts to make social change.

She believes in doing what you love as much as possible and that no meal is complete without cheese.

Tomo Hirai

Freelance Reporter for Asian American community, popculture commentator, and writer. Once wrote an undergraduate thesis on Japanese culture. Has traveled to Japan for reporting but mostly based in SF’s Japantown and surrounding areas.

We Are LGBTQ Nikkei Exhibition Interview with Tomo Hirai and Lilith Benjamin:

Curatorial Statement:

Exhibition dates: May 14 – July 15, 2022

There have always been queer Japanese Americans. Since the earliest days of Japanese migration to the United States, there have been Japanese Americans who defy traditional gender and sexualtiy. Whether it be the poet Yone Noguchi or 1960s activist Kiyoshi Kuromiya, queer Japanese Americans have been among us. The Japanese American Citizens League famously became the first non-LGBT oriented civil rights organization to endorse gay marriage in 1994.

Yet, there seems to be an invisible wall between the two identities.

When operating within the Japanese American community, the support for LGBTQ people seems to be an outward show of support rather than an embracement. Thus, the identities almost seem mutually exclusive. As American queer scholar Eve Sedgwick described an “epistemology of the closet”, Nikkei scholar Andrew Leong describes an “epistemology of the pocket.” As LGBTQ people in America have “a closet” to be themselves, being a minority within a minority affords queer Nikkei even less space.

This exhibition aims to bring that issue to light and radically give Nikkei space to queer Nikkei. By doing so, the exhibition intends to not only send a message that LGBTQ Nikkei they are welcome and embraced within San Francisco’s Japantown community, but to show the greater Japanese American community that LGBTQ people are amongst them.

Location: NJAHS Peace Gallery 1684 Post St San Francisco CA 94115

Email: njahs@njahs.org

Phone # 415-921-5007


NJAHS presents Oshogatsu Festival Posters exhibit – Curated by Rich Tokeshi

January 2022 to February 2022

San Francisco’s Japantown Art & Media (JAM) Workshop was a community art non-profit organization that operated from 1977 through 1999. Many of JAM’s screen-printed posters were devoted to announcing Japanese community events, which included the annual Oshogatsu Festival, where people gathered – and continue to gather – to participate in traditional Japanese New Year celebrations, including mochi- pounding, amateur sumo tournaments, cultural performances, and arts and craft booths featuring Asian zodiac themed shirts.
Mochi is shown in many of these posters as it symbolizes the wish for a long life during Oshogatsu. Over the years as the Asian Zodiac cycles a new animal is used as the primary theme for each festival, and for many years the dominant theme for its respective poster.
These colorful and bold screen-printed works of art express the innovative individual styles of their creators.

THE SUITCASE PROJECT travelling exhibit
@ NJAHS Peace Gallery 2019 – 2020


What would you pack if forcibly removed from your home today?

The Suitcase Project is a multimedia exhibition asking yonsei and gosei (fourth and fifth generation) Japanese Canadians and Americans what they would pack if uprooted from their homes in a moment’s notice.
While these descendants of the internment and incarceration may never have to endure the same forced uprooting as their ancestors, Kayla Isomura’s work examines how they, and those descended from families who experienced other forms of discrimination, remain affected by this history today. More than 80 subjects ranging in age and background share their stories from cities in British Columbia, Canada and Washington, US through a series of photographs, short films and interviews.
Post Street Peace Gallery, 1684 Post Street, San Francisco Japantown. FREE

 


DISLOCATION & DIVERGENCE: The Causes & Consequences of E.O 9066 

Explores and illuminates the buildup, implementation and effect of the Executive Order 9066 on the Japanese American community.

3-walled installation capturing five episodes of WWII Incarceration:

War Clouds Brewing, America Enters the War, Exclusion & Removal, Hidden Truths, Hidden Treasures

Using Interactive IPADPro technology, dive deeper into the analysis of what happened and why.

Mock-up horse-stall barrack, camp map & interactive kiosk for records search.

more, click here

 

At MIS Historic Learning Center, Building 640, 640 Mason Street, (Crissy Field) Presidio of San Francisco, CA 94129
Funded in part by the Japanese American Confinement Sites (JACS), administered by the National Park Service,  California Civil Liberties Public Education Program (CCLPEP) and the JA Community Foundation with matching contributions from our donors.

Open Weekends, 12- 5.

Group tours by appt. W-F 

Click here to register

415-921-5007

 

 

 


PREJUDICE & PATRIOTISM: Japanese Americans in the Military Intelligence Service

November 1, 2016 marked  the 75th anniversary of the first US Arwacs-and-wanto-facing-se-081914my Language School at the Presidio of San Francisco. Against the spectacular backdrop of the Golden Gate Bridge, is the Military Intelligence Service Historic Learning Center at Crissy Field in the Presidio of SF. Within these walls, is a permanent exhibit Prejudice & Patriotism: Japanese Americans in the Military Intelligence Service. Supplementing this exhibition is a framed photographic exhibit on the Nisei Soldier in the MIS. Come inside and discover.[/vc_column_text]

 

 

 

 


 

ONLY THE OAKS REMAIN: The Story of Tuna Canyon Detention Station

 

June 1, 2018 to January 31, 2019. The untold story of one of the Department of Justice Detention camps (near Pasadena, CA) that held

“enemy alien” Issei right after Pearl Harbor. Presented by the Tuna Canyon Detention Station Committee.

 

 

 

 

 

 

 

Japan Center 50th Years Exhibit In Peace Gallery

Where: 1684 Post St, San Francisco CA 94115

Time: 12:00 PM to 5:00 PM from Monday to Friday

 

 

 

 

 

 

ARTISTS’ EYES: Art of Incarceration

At Post Street Gallery, 1684 Post Street, San Francisco, CA 94115  (Dec. 2, 2017 to April 22, 2018)

 At MIS Historic Learning Center, 640 Mason Street, (Crissy Field) Presidio of San Francisco, CA 94129 (Nov. 11, 2017 to May 20, 2018)
Co-curated by Betty Nobue Kano and Judy Shintani, NJAHS is pleased to present this multigenerational visual art exhibition which reveals the consequences of Executive Order 9066 during World War II and its impact on Japanese Americans. Mounted at two sites, at Japantown and at the Presidio of San Francisco, the exhibition presents a successive unearthing of emotions through four generations. New works by Japanese American and other artists reveal the profound loss and eventual reclamation of their history and identity. For the Nisei and Kibei artists, it is a departure from the typical “camp” art exhibition as it looks at the lives and work after the war. Funded in part by the San Francisco Arts Commission. Public Programming supported by a generous grant from the Grants for the Arts and the Henri and Tomoye Takahashi Charitable Foundation.

CHILDREN OF THE CAMPS

2017 marks the 75th anniversary of the Executive Order 9066. This presidential order, signed by Pres. Franklin Roosevelt after the bombing of Pearl Harbor, gave the military full authority and set into motion a series of exclusionary orders leading to the eventual mass incarceration of 120,000 Japanese Americans from the West Coast. Under the guise of military necessity, the incarcerees, two-thirds of them were American citizens whose average age was nineteen, were forcibly removed from their homes, detained and imprisoned behind barbed wire for the duration of the war. On this anniversary, we present CHILDREN OF THE CAMPS, a chilling account of the children, now in their 80’s and 90’s whose lives were abruptly interrupted and who

 

Bore witness to one of the gravest constitutional violations in the 20th century.

 

 

 

 

SOMETHING FROM NOTHING @ UNIVERSITY OF SAN FRANCISCO- THACHER GALLERY

Something from Nothing: Art and Handcrafted Objects from America’s Concentration Camps, on view in Thacher Gallery August 21 – November 15, 2017.

Photos from Something from Nothing exhibition. Opening reception 8-24, 2017. This exhibition and programming is a collaboration between National Japanese American Historical Society, Thacher Gallery at University San Francisco and a culmination of work by the Museum Studies &  Art Departments. Following this opening, will be programs open to the public featuring poetry, memoirs and performances by camp survivors and presenters. Participants include Brian Komei Dempster, Florence Ohmura Dobashi, Sato Hashizume, Barbara Horiuchi, Kazuko Iwahashi, Janice Mirikitani, Jon Osaki, Brynn Saito, Toru Saito, Sumer Seiki, and Harumi Serata. Contemporary works are presented by artists Barbara Horiuchi and Marlene Iyemura. Events are co-sponsored by USF’s Asian Pacific American Studies department and the Master of Arts in Asia Pacific Studies program.  Funded in part by the California Humanities. Gallery Manager Glori Simmons, Exhibition advisors: Paloma Anoveros, Rosalyn Tonai, Max Nihei, Melissa Ayumi Bailey.

Check out programs: www.njahs.org/programs

 

 

Carrying ON: 110 Years of San Francisco’s Japantown

 

2016 marks the 110th anniversary of San Francisco’s Japantown in the Western Addition. NJAHS brings to light the history of one of the oldest Japantowns that has survived over a century of discrimination, dislocation & urban renewal. Colorful banner panels illustrate the narrative with historic photographs, maps &  oral history quotes. On display through January 31, 2017.

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Latent August: Legacy Of Hiroshima And Nagasaki

Produced by the National Japanese American Historical Society, Inc., this exhibition combines history, memory, and art to present a 50 year retrospective on the atomic bombing of Hiroshima and Nagasaki.

Its purpose is to engage the American public in an examination of the converging historical forces that led to the use of the bomb and its aftermath.

A special feature of the exhibit is the wartime experiences of Japanese Americans from California. As Americans of Japanese ancestry, they offer insight into the complex nature of how Americans view the legacy of the atomic bomb 50 years later.

Photo Credits:
Little Boy with Rice Ball. Nagasaki, August 10, 1945. Photo by Yosuke Yamahata, Shogo Yamahata.

Location: Richmond Museum of History / 400 Nevin Avenue / Richmond, CA 94801 / Quilts of the Home Front Exhibit / Open until June 30, 2014

RMH_QuiltsForTheHomeFront_0405-3169127085-O - Copy style=The Richmond Museum of History is currently hosting Quilts of the Homefront, an exhibition showcasing quilts inspired by the American home front experience during WWII made by 30 Bay Area artists who entered into the WWII Home Front Quilts Project 2014 challenge!

The National Japanese American Historical Society has loaned two quilts to the exhibition:

• A quilt made by the fourth grade students of teacher Masako Hirata while interned at Poston Relocation Center during WWII.
• Threads of Remembrance, a 3-piece quilt made by 15 former Japanese American internee women

Now open until June 30, 2014 due to the overwhelmingly positive response!

The Favell Museum in Klamath Falls, Oregon is the home of traveling exhibit The Art of Survival: Enduring the Turmoil of Tule Lake until the end of July, 2014.

artofsurvival 11 -thumbThe exhibit features the black & white photographs of camp artifacts taken by fine art photographer Hiroshi Watanabe, accompanied by a number of loaned objects from Tule Lake incarcerees.

Excerpted from artofsurvival.org:
“Through haunting images of artifacts by fine art photographer Hiroshi Watanabe we glimpse into the lives of those who were held at Tule Lake and are encouraged to consider both the orchestration of daily life behind barbed wire and what it might have been like to live with constant turmoil and uncertainty. Oral histories allow us to hear varying views on some of the complex issues of Tule Lake in the voices of those held captive. And the art created both then and now, made from seemingly insignificant objects, beckons humility and connection.

Promoting education and increased awareness of what can happen when a nation loses reason to fear, this exhibition is designed to inspire critical thinking and action in regards to injustice. It also highlights the power of creativity to maintain dignity and well-being in times of harsh circumstance.

As well as looking at daily life, the exhibition explores the following topics: the power of propaganda; up-to-date terminology relating to the confinement experience; the history behind the incarceration; the difference between a Segregation Center and a Confinement Site; who were the people deemed “disloyal”, were they disloyal?; what happened when the Camp closed?”

Favell Museum Website.

Traveling Exhibit Website.

A Special Project Documenting, Collecting, And Cataloguing Arts & Crafts, Historic Artifacts, And Objects Created In The Internment Camps During WWII.

Mount Williamson, cropped reduced

See the Objects (updated)

Sa sa e (n.) [pron. SAH-SAH-EH] / a support or bearer of weight (translated from the Japanese definition).

Since late 2009, the National Japanese American Historical Society, Inc. (NJAHS) has worked in collaboration with Japanese American communities and Japanese American Citizens League Chapters throughout the Bay Area on a special project documenting, collecting, and cataloguing various arts & crafts, historic artifacts, and objects created in the internment camps during WWII.

We have received an enormous response and enthusiastic participation, namely from the descendants – children, grandchildren – of Japanese American internees living in northern Californian communities including Penryn, Salinas, and San Francisco. They have generously shared their stories and experiences, helping us create a catalogue and database of these objects in an effort to preserve and cherish their legacy. NJAHS has been able to gather up to 50 new works attributed to these camp objects, many of which will be accessible through our website via our online database.

Created from found, raw materials of their immediate surroundings, many of these objects are hand crafted everyday items: a dresser made of wood planks from crates, flower sculptures made from pipe cleaners, decorative hair pins created from small shells, hand-painted bird carvings made of pieces of wood. These objects have now upheld a deeper and more personal meaning, each with its own lifetime worth of stories. They were created in an effort to find beauty in struggle and strength during a time of adversity; the objects themselves represent the trauma of displacement and efforts to adapt to times of prejudice and war. Yet we find beauty, creativity, and even functionality in several of these objects, collectively known as Sa sa e, or Objects of Memory.

This summer, NJAHS is proud to present an exhibition celebrating these camp objects. Sa sa e |Objects of Memory will be located within our Peace Gallery and will feature several of the arts & crafts seen in the above database in addition to other objects from NJAHS’ permanent collection. Please continue to visit our website for updated information.

California Civil Liberties Public Education Program